Correcting myself, I said that I was much obliged to him for his mention of Mr. Matthew Pocket—

“That’s more like it!” cried Mr. Jaggers.

—And (I added), I would gladly try that gentleman.

“Good. You had better try him in his own house. The way shall be prepared for you, and you can see his son first, who is in London. When will you come to London?”

I said (glancing at Joe, who stood looking on, motionless), that I supposed I could come directly.

“First,” said Mr. Jaggers, “you should have some new clothes to come in, and they should not be working–clothes. Say this day week. You’ll want some money. Shall I leave you twenty guineas?”

He produced a long purse, with the greatest coolness, and counted them out on the table and pushed them over to me. This was the first time he had taken his leg from the chair. He sat astride of the chair when he had pushed the money over, and sat swinging his purse and eyeing Joe.

“Well, Joseph Gargery? You look dumbfoundered?”

“I am!” said Joe, in a very decided manner.

“It was understood that you wanted nothing for yourself, remember?”

“It were understood,” said Joe. “And it are understood. And it ever will be similar according.”

“But what,” said Mr. Jaggers, swinging his purse,—“what if it was in my instructions to make you a present, as compensation?”

“As compensation compensation what for?” Joe demanded.

“For the loss of his services.”

Joe laid his hand upon my shoulder with the touch of a woman. I have often thought him since, like the steam–hammer that can crush a man or pat an egg–shell, in his combination of strength with gentleness. “Pip is that hearty welcome,” said Joe, “to go free with his services, to honor and fortun’, as no words can tell him. But if you think as Money can make compensation to me for the loss of the little child—what come to the forge—and ever the best of friends!—”

O dear good Joe, whom I was so ready to leave and so unthankful to, I see you again, with your muscular blacksmith’s arm before your eyes, and your broad chest heaving, and your voice dying away. O dear good faithful tender Joe, I feel the loving tremble of your hand upon my arm, as solemnly this day as if it had been the rustle of an angel’s wing!

But I encouraged Joe at the time. I was lost in the mazes of my future fortunes, and could not retrace the by–paths we had trodden together. I begged Joe to be comforted, for (as he said) we had ever been the best of friends, and (as I said) we ever would be so. Joe scooped his eyes with his disengaged wrist, as if he were bent on gouging himself, but said not another word.

Mr. Jaggers had looked on at this, as one who recognized in Joe the village idiot, and in me his keeper. When it was over, he said, weighing in his hand the purse he had ceased to swing:—

14 August.—On the East Cliff, reading and writing all day. Lucy seems to have become as much in love with the spot as I am, and it is hard to get her away from it when it is time to come home for lunch or tea or dinner. This afternoon she made a funny remark. We were coming home for dinner, and had come to the top of the steps up from the West Pier and stopped to look at the view, as we generally do. The setting sun, low down in the sky, was just dropping behind Kettleness. The red light was thrown over on the East Cliff and the old abbey, and seemed to bathe everything in a beautiful rosy glow. We were silent for a while, and suddenly Lucy murmured as if to herself . . .

“His red eyes again! They are just the same.” It was such an odd expression, coming apropos of nothing, that it quite startled me. I slewed round a little, so as to see Lucy well without seeming to stare at her, and saw that she was in a half dreamy state, with an odd look on her face that I could not quite make out, so I said nothing, but followed her eyes. She appeared to be looking over at our own seat, whereon was a dark figure seated alone. I was quite a little startled myself, for it seemed for an instant as if the stranger had great eyes like burning flames, but a second look dispelled the illusion. The red sunlight was shining on the windows of St. Mary’s Church behind our seat, and as the sun dipped there was just sufficient change in the refraction and reflection to make it appear as if the light moved. I called Lucy’s attention to the peculiar effect, and she became herself with a start, but she looked sad all the same. It may have been that she was thinking of that terrible night up there. We never refer to it, so I said nothing, and we went home to dinner. Lucy had a headache and went early to bed. I saw her asleep, and went out for a little stroll myself.

I walked along the cliffs to the westward, and was full of sweet sadness, for I was thinking of Jonathan. When coming home, it was then bright moonlight, so bright that, though the front of our part of the Crescent was in shadow, everything could be well seen, I threw a glance up at our window, and saw Lucy’s head leaning out. I opened my handkerchief and waved it. She did not notice or make any movement whatever. Just then, the moonlight crept round an angle of the building, and the light fell on the window. There distinctly was Lucy with her head lying up against the side of the window sill and her eyes shut. She was fast asleep, and by her, seated on the window sill, was something that looked like a good-sized bird. I was afraid she might get a chill, so I ran upstairs, but as I came into the room she was moving back to her bed, fast asleep, and breathing heavily. She was holding her hand to her throat, as though to protect if from the cold.

I did not wake her, but tucked her up warmly. I have taken care that the door is locked and the window securely fastened.

She looks so sweet as she sleeps, but she is paler than is her wont, and there is a drawn, haggard look under her eyes which I do not like. I fear she is fretting about something. I wish I could find out what it is.